Olivier H.N. Weber works between publishing, graphic design, and cinematic narration. Rather than producing images as singular statements, he designs closed editorial systems through sequence, pacing, and framing, creating curated narratives in which each image exists in dialogue with what comes before and after.
Each project is structured through deliberate editorial choices and a designed edge that literally frames his work, establishing boundaries between image and world, focus and distraction. Framing, in Weber’s work, functions as a conceptual device.
Weber’s practice is grounded in graphic design and guided by restraint, where every decision is measured and intentional. Rather than exposing lived perspectives, he shapes them through structure, letting meaning build quietly. Sensitivity operates as taste and precision: knowing when to intervene, when to step back, and how to allow print to unfold as a cinematic, time-based experience.